“Wolf Man” tells the story of Blake Lovell (Christopher Abbott), his wife Charlotte (Julia Garner) and their daughter Ginger (Matilda Firth) as they journey from New York City to the wilderness of Oregon to clean out Blake’s father’s house after he passes away.

It’s a commitment to intensity that has served him well, and for the second time in a row, he has brought his characters to San Francisco.  2020’s “The Invisible Man” was set mostly in San Francisco,

Leigh Whannell’s Wolf Man manages to strip the genre of its last shreds of dignity, replacing suspense with an onslaught of gore and nonsense.

Leigh Whannell's Wolf Man may take a simplistic approach, but its ending opens up a great deal of meaning for Christopher Abbott's tragic monster.

Review - Australian writer-director Leigh Whannell takes a crack at a famous monster - and finds something new, Dan Slevin writes.

A concept artist who worked on Leigh Whannell's Wolf Man has unveiled some of his alternate designs for the titular monster. Are they better, or worse? Have a look and let us

With a quality biopic of a revered, enigmatic singer-songwriter and an unconventional musical, this week’s new releases are hitting all the right notes.

Horror movie remakes are nothing new. In the past 20 years, it seems like every major horror franchise has been remade or revitalized to fit modern times. It began with films like "Friday the 13th" (2009) and "A Nightmare on Elm Street" (2010) and has continued ever since.

After Wolf Man, Leigh Whannell has the potential to direct even more reboots of monsters, including Pumpkinhead, The Gillman, and Tarantula.

Wolf Man indulges in one of the most overused horror references in the genre's long history, but for once the nod actually makes sense here.

The filmmaker responsible for the new iteration of Wolf Man opened up about the character's transformations and where the idea came from.

Julia Garner won three Emmys for her work in “Ozark.” Now, in “Wolf Man,” she plays a woman in peril. What happened?