In ‘Patternmaster’, the artist entangles her viewers in a web of cultural associations that reflect their own biases back at them ...

In ‘you text nothing like you look’, the artist crafts a series of love letters to the authors and musicians who have ...

Fifty years after Michael Asher’s landmark exhibition at Claire Copley Gallery, for which he removed the back wall of the ...

The fifth Dragon Hill X ArtReview Writers Residency considers the purposes of the artist (and art writer) residency and what ...

The National Portrait Gallery (NPG) in London is facing accusations of nepotism over a current exhibition by donor Zoë Law.

Electric Dreams’ at Tate Modern reinterprets art at the dawn of the digital explosion as a harbinger for our current moment ...

The filmmaker, artist and musician, who died on 16 January, was at once a mystic and a master of this beautiful little ugly ...

In the second half of her career, Baer moved away from abstraction, turning instead to ‘radical figuration’, a term she ...

By choosing to focus only on female pioneers in art and technology, ‘Radical Software’ at Mudam Luxembourg misses the bigger ...

RaMell Ross’s magisterial adaptation of the Pulitzer Prize-winning novel by Colson Whitehead, pointedly sets up its central ...

The Future Is Present, The Harbinger Is Home’ frames New Orleans as both a gift and lesson to the rest of the world ...

The platform has come to dominate online culture, but in the face of a US ban and pressure from the Trump administration, no ...